Neumann describe the U47 FET as a fixed–pattern cardioid microphone, although it actually has a distinctly hypercardioid response for all frequencies above about 500Hz. In most FET–80 microphones the FET impedance converter feeds the output transformer directly, but in the U47 FET (and U89), the FET buffer is followed by a further five bipolar–junction transistors, which essentially form a discrete op–amp to drive the output transformer. And those claims can then rise or fall based on their actual merit. A $60 U47 clone is a clone by appearance only. 2. The Neumann company have always been known for pouring their considerable resources into advancing microphone technology. The review model was serial number 10083, but I believe standard production units are all over 10100. Q. The 47fet was intended to be a phantom-powered, FET version of the U47 tube microphone, designed a few years after the VF14 tube at the heart of the U47 became unavailable. Because the U47 Fet was a fixed Cardioid microphone, Neumann used K47 capsules (designed “K47Fet”) whose rear sides did not meet specifications for use in multipattern mics. It is the logical response. A genuinely precise reproduction of the classic U47 FET, built from the original plans, and available as a limited–run Collectors Edition. Neumann U47 FET Collector's Edition Mic. Either the capsule is up to standard or it isn’t (there is just a single grade of capsule called the K47/49), and that’s what is employed today in the M147 Tube, M149 Tube, TLM49, and now, once again, the U47 FET. Even the hand–wired ‘rat’s nest’ of electronic components located around the switches under the top circuit board is made in exactly the same way as the original was (in the precise form that it was being built around 1972 — apparently later editions employed a PCB for these components!). The mic was manufactured from 1969 through 1986. Re: Why does Liam Gallagher's vocals sound shit? However, for considerably less money, the Audio–Technica AT4047 is designed to deliver the U47 FET character too, albeit with a more modern styling. Again, this board is identical to the post–1980 version of the U47 FET. Neumann U 47 is a large-diaphragm condenser microphone.It is one of the most famous studio microphones and was Neumann's first microphone after the Second World War. Messages 6,476. A $299 Neumann U47 clone? Units produced before 1950 were … Its modest 2dB of presence boost between about 2 and 5 kHz is enough to aid clarity and intelligibility in a mix, while the gentle proximity boost adds a degree of body and warmth. The microphone uses parts by Toshiba, Wima, and Panasonic rather than knock-off stuff, so Warm Audio seems to know what it’s doing. The microphone requires standard 48V phantom power, but has an extremely low current requirement of just 0.5mA. Two versions of the microphone were sold: (Each of the above was also available in a “dark matt finish,” specified U 47 fet i mt or U 47 fet mt.). Free Shipping. Although the FET model incorporated exactly the same K47/49 capsule (see box) as the original U47, the revised body and grille metalwork, and especially the radically reinvented internal electronics, all contributed to a different, rather less 3D and organic sound character. The Neumann U47 fet is also known as: 47fet, U-47-FET, fet47, U-47fet. The Fet47 [transformer] is more [closely] related to the BV12 you find in the U67. This raises the low frequency roll–off point from 40 to 140 Hz. Self–noise is given as 18dBA, which, combined with the normal maximum SPL rating of 137dBA, gives an impressive potential dynamic range (A–weighted) of 119dB, rising to 129dB with the 10dB attenuation switched in. (Read more about the K47/K49 capsule.). This, along with its smooth top end and lush midrange, makes the U 47 fet an excellent microphone for bright and loud instruments such as brass and electric guitar. + 7 S 0 P O N S O A R P A 7 E E D-1-1 U J-1 0 F J-1-1. For example, the original U47 was the first large–diaphragm mic with a switchable polar pattern (1949), the KM84 was the first ever phantom–powered microphone (1966), and the TLM170 was the first mass–market transformerless microphone (1993). An integral standmount is included, comprising a simple arm permanently attached and pivoted from the side of the mic body. And a small comfort is that its future value is likely to compare directly with the original models if the reissued U67 valuations are anything to go by. The nominal sensitivity is a very modest 8mV/Pa, and this can be further reduced in two ways. 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