He is best recognized for having played Tobias Stromdahl on the series Eva & Adam. I’m a big fan of prints, actually. I use the mouse as much as I use the Wacom board. Johansson: Yes, every tree and sky. EJ: I’ve been busy with commissioned and personal projects this spring/summer but hopefully a film project isn’t that far away. Photoshop is just a way for me to realize the idea I have in my head. I get more inspiration from painters rather than photographers . Johansson’s artistic abilities have afforded him opportunities to work with clients like Adobe, Google, and National Geographic. Johansson: I wanted to move to a bigger place. I have to know where to find the environments that I have in mind. That’s the model to interpret the world. I had a lot of ideas that I wanted to bring to life and it was a lot about problem solving trying to make it look as realistic as possible. Escher. I’ve always thought that inspiration lies within the contrast between things and I think moving from time to time can be very inspiring. After the initial drawing he scouts for locations, always taking his own photographs instead of relying on stock photography (which can sometimes take just one day, several months, or even a year). It’s called “IMAGINE” and is available in many book stores and on amazon.com. Looking Back By Erik Johansson. Johansson: I have one 24-inch screen for the Photoshop canvas, and I have a 22-inch screen tilted at 90 degrees for all the Photoshop panels. Johansson: The way Escher creates his work—how something would look—has a lot to do with calculations. He also happens to be one of our favorite digital artists due to his incredible creativity mixing photography to create beautiful and mind-boggling compositions. There’s a lot of planning involved. Erik Johansson’s life path number is 7 Life Path Number 7 represent 'The Intuitive'. It was a fun photo to work with, the bed is captured in studio in a similar light and the background was shot at a lake close to my parents home, later summer 2008. For commissioned projects with a hard deadline it’s of course usually faster, normally a few weeks from “go” to final image. Whether it’s for personal work or commissioned work, I select and rate the different photos that I think are the best fit in Lightroom, and then I open them in Photoshop and start to put it together to see roughly what it looks like. Just get in touch with my Agent if you have a project in mind, contact info on the contact page. This part is like a puzzle, I have all the pieces, I just need to put them together. To me, photography is just a way to collect the material I need to create my picture. Most importantly, don’t create what you THINK people want, create what YOU want. Inspired by the world around him, especially his place of birth (with the wide open spaces around his parents’ house being the setting for many of his pieces), Johansson subverts aesthetics and expectations, a firm believer that our only limitations in life are those we place on ourselves. Johansson: Yes. Erik Johansson is part of a Millennial Generation (also known as Generation Y). I think we will see more and more people selling their own work. It requires a lot of patience and imagination. I studied computer engineer at Chalmers University of Technology in Gothenburg, Sweden 2005-2010. I like how those street artists do 3D illusions with chalk and paint, and I thought it would be interesting to see if I could do that with photography—maybe make it look even more realistic. I don’t have a tablet. Simplified the process is divided into three different parts. Erik Johansson, best known for being a TV Actor, was born in Enskede, Sweden on Friday, February 23, 1979. I took up my interest for photography and photo manipulation once again but this time having a better camera I felt like I wanted to spend more time manipulating them as well. I try to pick the best from all of them and imagine how I can do something in a similar fashion but with photography. I graduated in 2010 with a master in Interaction Design. And I thought it would be more interesting to do it on the ground instead of a wall so that people would be able to interact with it. Although I get inspired by surrealist art, I want to go my own way. I discovered that it was fun to change and modify photos for fun in the year 2000 when I got my first digital camera. EJ: It’s not really something I’m trying to create, it’s just included in the absurdness of my ideas. Having an interest in computers made it quite a natural step to start there. After publishing some of my images online I started to get requests helping out with some retouch for a few local advertising agencies.I slowly started freelancing in parallel with my studies while still working on my personal projects. Not many ideas get realized, but if I think it’s good enough I decide try to make it happen. The first part is planning. All my personal projects are not to be commercialized or connected to any product or brand in any way. I went for the natural science program in high school and in 2005 I moved to Gothenburg to study Computer engineering at Chalmers University of Technology. Good luck, have fun! It’s nice to look at a certain technique that’s explained in a tutorial, but you have to get to know the tools yourself by trying them. It’s not really that I’m trying to create a message, it’s just what comes out of me. I made new friends and work slowly stared to take off. I’ve been working with clients such as Volvo, Toyota, Google, Adobe, Microsoft and National Geographic. My dad got a computer for work already in the mid 80’s so I also early developed an interest in computers, mostly by escaping to other worlds through computer games. When I come up with ideas, I just make a note in my phone or do a quick sketch or something so that I can keep my ideas fresh. Their lucky numbers are 1, 9, and lucky colors are red, blue, purple. Johansson: I think it plays a really big role, especially with my personal work. via justluxe.com. After you find all the locations, you then move on to the second step, which is the photographing phase where you collect all the different materials you need. Since the year 2000, he has crafted impossible photography using a combination of his own images and photo manipulation techniques in Adobe Lightroom and Photoshop . This takes anything from a few days to several weeks. 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