Following the disclosure of this information, Mellida, her cousin, Rossaline, and her servant, Flavia, sight Antonio in disguise. Meanwhile, it is revealed that Andrugio is alive and has disguised himself as a lower ranking nobleman. He orders his daughter to confinement and sends his men out to hunt for Antonio, who has fled from the scene. It is revealed that Piero … A two‐part play by J. Marston, printed 1602, probably acted two years earlier; it provided Jonson with materials for his ridicule of Marston in The Poetaster. A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality study guides that feature detailed chapter summaries and analysis of major themes, characters, quotes, and essay topics. Faculty of Engineering and Physical Sciences, Antonio and Mellida and Antonio’s Revenge, © 2020 University of Leeds, Leeds, LS2 9JT. Antonio and Mellida and Antonio’s Revenge, published in quarto in 1602 were, perhaps, Marston’s first sole-authored plays. Nonetheless the two plays do hang together in many ways, creating a generic diptych – the first a tragi-comedy, the second a full-blooded (in every sense of the word) revenge play. The play also employs a metatheatrical induction, in which the boy actors are seen, apparently in propria persona, discussing the roles they are about to play and the way in which their parts should be performed. The ship’s jester and butler meet Caliban and feed him alcohol. The Merchant Of Venice Summary. https://en.wikipedia.org/w/index.php?title=Antonio_and_Mellida&oldid=851078415, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 July 2018, at 22:16. He approaches his friend Antonio, a merchant. The play begins on a ship, with a ship-master and a boatswain trying to keep the ship from wrecking in a tempest. They then make plans to escape the court in order to follow their passions and wed. Antonio reveals himself to Mellida and they plan to escape together. Throughout this complicated play, there is also a subplot featuring Mellida's cousin in which she is humorously wooed by many suitors, but ultimately decides to remain single at the conclusion of the play. However, their plans become complicated when Piero discovers Antonio's deception. Mellida dresses as a page boy and Antonio dresses as a sailor. Both plays demonstrate a highly self-conscious theatricality. He is, unhistorically, described as Duke of Venice, though his name seems to gesture towards the well-known, even notorious Sforza family of Milan. He was clearly intent on showcasing the musical talents of the boys’ company, and quite frequently the songs are only tenuously motivated by the action: the singing competition towards the end of Antonio and Mellida being the most glaring example. The Merchant of Venice Summary. Act I. 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