The band was billed either as Professor Longhair's Blues Jumpers or Professor Longhair's Blues Scholars. Professor Longhair can be considered as the creator of the New Orleans Rhythm & Blues. Fess's song "Tipitina" is covered by Hugh Laurie on the 2011-CD album "Let Them Talk". Professor Longhair & the Four Hairs Combo, Professor Longhair & His Shuffling Hungarians, Between the Night and Day (In the Wee Wee Hours). For valuable first-hand eye- and ear-witness perspectives on just who Professor Longhair really was, see also Dr. John's outstanding autobiography, Under a Hoodoo Moon, published in 1994 by St. Martin's Press. Seit seinem zweiten Lebensjahr lebte der später „Professor Longhair“ oder „Fess“ genannte Musiker in New Orleans. This exacting chronological survey of Professor Longhair's first recordings is a welcome alternative to the usual reissue practice of mingling some of these tracks with later material from the early '50s. "She Ain't Got No Hair," later simply known as "Bald Head," would eventually become one of his most popular tunes. If you're talking about underrated legendary figures in music, he has got to be top of mind. Accolades. One more session for Mercury took place in September and then Professor Longhair's tenure as an Atlantic recording artist began in earnest with "Hey Now Baby" and a second and third version of his ultra-famous whistling rhumba, "Mardi Gras in New Orleans." The B side of the 1985 Paul McCartney single 'Spies Like Us', entitled 'My Carnival', credited to Paul McCartney & Wings, was recorded in New Orleans and dedicated to Professor Longhair. The records sold tolerably well. Byrd's band at this time consisted of alto saxophonist Robert "Barefootin'" Parker, Walter "Papoose" Nelson on the guitar, and a drummer known as Big Slick, later to be replaced by Al Miller, who could also play trumpet. When Byrd's band replaced Dave Bartholomew's at the Caldonia Inn, the management decided to bill the group as Professor Longhair & the Four Hairs Combo, simply because of the fact that they wore their hair considerably longer than was the fashion at that time. Inducted into Rock And Roll Hall of Fame in 1992 (Early Influence). Professor Longhair was inducted into the Blues Hall of Fame in 1981. Sein erstes Klavier fand er angeblich im Sperrmüll, diverse Tasten fehlten, was Henry nicht vom Spielen abhielt. Longhair's first recordings were made at the Hi Hat Club, where a rudimentary recording studio was set up. Wow, no reviews/comments on Professor Longhair. Professor Longhair's manager through those renaissance years of his career was Allison Miner, of which jazz producer George Wein was quoted saying: "Her devotion to Professor Longhair gave him the best years of his life." Longhair's funky Crescent City piano was punctuated with his delightfully deep and wild-edged voice, backed by Lee Allen and Leroy "Batman" Rankins on tenor saxophones. All the ingredients of Longhair's distinctive style are present on these wonderful recordings, in particular the bluesy rhumba rhythm that seemed to infiltrate nearly everything he played, most notably the boogie-woogie. Geld verdiente sich Henry als Jugendlicher mit Straßen-Stepptanz sowie mit einem Werbesong für Schlangenöl-Medizin. I have so much fun listening to his music. Später arbeitete er als Koch, kurzzeitig auc… Laurie is a long-time fan, having used Fess's "Go to the Mardi Gras" as the theme for the pilot episode of A Bit of Fry & Laurie. American pianist, vocalist and songwriter. Professor Longhair (Roy Byrd) And His New Orleans Boys, Mardi Gras In New Orleans (Live 1975 Recording), House Party New Orleans Style (The Lost Sessions 1971-1972), Artists performing under a pseudonym, stage name or nickname (a name other than their real or birth name). He is such an authentic figure and piano player. Seine Mutter Ella Mae Byrd spielte selbst in Jazz-Bands das Piano und förderte schon früh das musikalische Talent ihres Sohnes. Musically active from 1949 to 1964, he made a comeback in the early 1970s. Four sides were issued on the tiny Star Talent label as by Professor Longhair & His Shuffling Hungarians. I can't recommend him enough. My life is better because of Professor Longhair. On August 19, 1949, a second recording session occurred, this time at a Mercury studio on Canal Street. As is often the case with the Classics Chronological series, a succession of historical sessions bolstered with all of the available discographical information tells a story that is vital to the development of a clear comprehension of the musician's life and creative accomplishments. You can never have enough Fess! I love all of his recording sessions. Four sides were issued on the tiny Star Talent label as by Professor Longhair & His Shuffling Hungarians. Longhair would record for Federal in 1951, returning to the Atlantic studios in 1953. Longhair's first recordings were made at the Hi Hat Club, where a rudimentary recording studio was set up. "She Ain't Got No Hair," later simply known as "Bald Head," would eventually become one of his most popular tunes. In this case that means the saga of how Henry Roeland Byrd, born in Bogalusa, LA, in December of 1918, radically transformed the popular music of North America during the 1950s and '60s by making a handful of scruffy records in 1949 down in New Orleans. Note that Lester Young, who also hailed from southern Louisiana, wore his hair uncommonly long.
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