Swamp Ash is a prized wood for many reasons. Walnut also appears excellent when you use oil finishes on the wood, providing players with a beautiful instrument. However, unlike basswood, alder can retain high notes and provide space for low tones. Its sound is primarily a thicker, midrange tone. They also feature more wood on the back and sides than the top. The lower outer frequencies mean the mid-tones become more pronounced. Both types of ash tonewoods offer an open grain, which means the instrument also comes with a fair amount of preparation to make sure the grain is properly filled in the factory. It has a harder, more focused upper-mid crispness. However, the price is often worth it. Compared to basswood, an alder body comes with a wider scope of tones overall as well as fewer mid-notes than basswood. It is a fairly light weight wood which makes it easily distinguishable from Hard Ash. Similar to alder, basswood is nearly mid-range. Super musical, complex and intricate is its character. Walnut is a dense wood with sparkly brightness, like koa. The sound is warm, with damp high sounds. For this reason, an opaque paint color is usually chosen for a solid basswood body. However, acoustic models gain most of their sound from the wood choice. Swamp Ash. With this format, the tone is a thick, powerful mid range sound with plenty of clarity, but with no stabbing high or low lows. In general, mahogany should absorb a bit of the string vibration as you play – much more than maple or some other neck wood types. However, maple is an easier wood to finish because it has tight and highly durable grains. Swamp Ash is lively and vibrant with an open and airy middle, softly sparkling and present highs, all supported by a robust low end. Basswood vs Poplar? The tone and grain qualities are similar to mahogany, but it’s heavier and more resilient. Poplar tonewoods are understated and minimalistic in appearance. He's a multi-instrumentalist and loves researching, writing, and geeking out about music. This configuration is very light weight, light blonde in color and highlighted by a darker brown elongated grain pattern. A man-made synthetic material, Richlite is a wood substitute when a more durable, harder wood is required. However, true basswood does produce a very pleasing midrange tone and is the only type of basswood used here at Tom Anderson Guitarworks. Here’s a great video from the guys at Fender talking about different wood combos: You may see guitars made from a single piece of wood sometimes, but they’re often comprised of many tonewoods. It’s also ideal to combine with an ebony fretboard to add brightness. It’s created using a resin-infused type of paper. However, rosewood is a very hard wood that’s much harder than maple, and the porous nature allows the tone to become warmer. Its timbre is a bit more of a fundamental tone with fewer overtones than the more traditional body woods. The midrange is much more similar to rosewood or mahogany though. Compared to maple, walnut tonewood is slightly warmer. Joined: Jun 7, 2005 Location: Brooklyn, NY. It’s commonly used to create ukuleles, but the pricier wood is also found on special and limited-edition guitars. So, you could say Pine falls somewhere between basswood and alder with a beautifully dimensional, musical voice all its own. You can find them in both electric and acoustic guitars, and the tonewood is highly resilient against wood rot or warping over time. Mahogany is a wood that became popular primarily being used on 24 3/4" scale length guitars since the 1950's. This combination certainly produces a big sound. Fender claims to use swamp ash in many of their guitars in the 1950s. brown color, this mid to mid-heavy weight wood combination looks fantastic with darker and earth tone transparent colors. Both types of rosewood require what’s called “pore fill,” where the pores are filled before the lacquer is applied. The sound is better, however, when it comes to the upper mid-range. The snappy tone is brighter than other less dense wood types. Compared to hard ash, maple is just as dense. Sound-wise, maple guitars offer ideal sustainability and plenty of bite. You can expect the tone to become softer and warmer over time, making walnut the ideal alternative to koa. However, it’s primarily used for neck shafts in guitars or a coarse fretboard. They have a great impact on the sound your guitar produces. The wood configuration, particularly when it comes to the body of the guitar, isn’t as vital for electric guitars. Guitar bodies made from a single piece of wood tend to come with a higher price tag. Mahogany first became a popular material for guitars due to the attractive appearance and the fact that it was cheaper than rosewood, according to the World Resources Institute. Tonewoods either eliminate or amplify the frequencies your strings produce, affecting the overall tone of the instrument. This article should serve as a useful resource in general, whether you’re about to buy a guitar or just like geeking out about this stuff. The result is a compressed attack and slightly compressed highs. The swamp-ash sound is twangy, airy, and sweet. The result is time-consuming and labor-intensive. The wood is perfect for bass necks with warm lows and strong midrange tones. This tonewood is durable, attractive, resonant, easy to work with, and relatively economical. It’s easy to: The softwood offers tight grains that often dampen and soften sharp hight tones, which can level out thin sounds like a knife-edged tremolo. The denser the wood, the less room the sound has to move around among the grain.
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