The Ab7 chord resolves smoothly down by a half-step to the G7alt chord that follows it each time it is played. Start by playing the solo as written. Looking at solos of Charlie Parker, you can see that there is specific jazz language to use over each function of a minor chord. Developing different methods of soloing over ii-V-I changes will help you improvise in any live situation. If we would play over a ‘minor blues’-progression (with for instance the chords Am7, Dm7 and Em7) we can’t use the major pentatonic scale. Minor Blues Progression 2. But the tune may start to get boring! Then, play the first 8 bars as written and improvise the last 4 bars. The blues scale can be used to solo over both progressions. Soloing Over a I-IV-V, 12-Bar Blues Progression Using the “Major Approach” Now we will take a “major soloing approach” over the same exact 12-bar blues progression. There are also a few differences, which I’ll talk about below. This cool-sounding scale can jazz up your blues solos in no time. In the next progression, we will insert a common substitution over the II chord in bars 9 and 12. Soloing Methods . Major/Minor Pentatonic Blues Soloing . You have to understand how chords function in chord progressions of jazz standards. Here is a sample solo over a G blues chord progression. There’s a mysterious extra something you hear in the solos of many of the blues greats – Clapton, Green, BB. From there, play the first 4 bars as written, and improvise the last 8 bars, before moving on to a fully improvised solo after that. By Matt Warnock 02 May 2019. Shares (Image credit: Cindy Moorhead) Learning to play the blues in a jazzy style means stepping outside the minor blues scale and exploring other melodic options in your solos. Soloing with the Mixed Blues Scale. Major Blues Scale Sample Solo. I’ll also demonstrate how to put the progression together in a couple different keys, and go over some blues tunes that use this progression. You can see there are some common notes - A, D and E being them.Theoretically, if you only played these, they would work over all 3 chords. Give it a try! So what’s going on? Improvising over minor 7 chords in jazz has a lot to do with context. Instead of playing the Dm7b5 chord each time the II chord comes around, we will play its tritone substitution (Ab7) instead.. There are a nearly unlimited number of ways to solo over a ii-V-I progression, but these three are some of the most common strategies. Form 1. Let’s start out with the A major pentatonic scale: You notice that it’s the exact same pattern as that of the A minor pentatonic, only it’s shifted down 3-frets. pentatonic scale when soloing over a ‘major blues’ (which means we are playing over a blues progression in a major key with dominant 7th-chords, such as A7, D7 and E7). In B, the minor blues scale notes are B, D, E, F, F#, A. soloing over I-IV-V blues progression (E-A-B) Ask Question Asked 5 years, 11 months ago. We all know that using the minor pentatonic scale sounds bloody marvellous when taking a blues solo, but there are times when using that scale alone doesn’t quite cut it. There are actually quite a few variations of the minor blues progression out there.
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