Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Make an Offer. As I'd expected, the sound opens up more in omni mode, and although it's not as transparent as a single-diaphragm, dedicated omni model, the Z5600a II works well in omni mode for capturing room ambience or for close-miking acoustic guitars and other instruments. First Look: Pro Tools | Carbon. Both of the newly added switches (for pad and low-cut filter, as mentioned above) are sideways-mounted, miniature toggle switches with their functions labelled on the metalwork. You may login with either your assigned username or your e-mail address. All the components are discrete and appear to be of high quality, and the standard of workmanship is impressively high. Improvements to the PSU and internal circuitry have lowered the self-noise to a creditable 12dB A-weighted, while the maximum SPL for 0.5 percent THD@1000Hz is now 135dB. Conceptually, this mic is much more conventional than the Gemini II and features a dual-triode ECC83 tube feeding into an output transformer, so it sounds rather more like you'd expect a tube mic to sound, with plenty of body and warmth and a slightly smoothed-out high end. As low as $52/month with. You may recall that the first Gemini mic used two dual-triode tubes, hence its impressive girth. Brand: SE Electronics Model: Z5600a II An upgraded version of the earlier Z5600a. The Z5600a II kit includes shockmount, power supply, cable and separate wooden microphone box, all inside a larger carry-case. Photo: SE Electronics / Mark Ewing … The Z5600a II. What is a "hybrid" audio interface anyway? The Z5600a II sits at the more affordable end of the multi-pattern tube-mic market but delivers on both sound and build quality. Are they worthy contenders for space in your mic locker? The high presence boost helps keep some 'air' around the top end, but the subjective result is still smooth. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. All three versions have been multipattern tube mics, but improvements to the circuitry and power supply have improved the noise and sensitivity specs. I did, however, notice that the basket assembly of the mic resonates at quite a low frequency if tapped, resulting in a very audible rumble. Nevertheless, the tonal consistency between the patterns is pretty close. It is a large diaphragm studio microphone with a variable pattern - 9 graded steps through 8 fixed points. It's unusual to find a transformerless tube mic such as the Gemini II, and the only other company I can think of that make one are CAD, whose less costly M9 employs solid-state output components in place of the second tube the Gemini uses at the output stage. The Z5600a II's frequency response is specified as 20Hz-20kHz, with a sensitivity of 14.1mV/Pa (0dB=1V/Pa 1000Hz). The electronics are tube-based. Comes with shockmount, cable and PSU in a sturdy case. All rights reserved. Why Are Some A-B Stereo Arrays Angled Outwards? It is a large diaphragm studio microphone with a variable pattern - 9 graded steps through 8 fixed points. The Gemini II has a 20Hz-20kHz frequency range, but with a gentle hump up at around 10kHz to add an airy presence to the sound. In accordance with the laws of physics, both the cardioid and figure-of-eight modes exhibit a proximity effect that exaggerates the low end when used close up, which the omni mode does not. Like its predecessor, the Gemini II boasts twin valves, one for the input stage and one for the output stage, which can clearly be seen through the mic's case.Photo: SE Electronics / Mark EwingSubjectively, this Mk II version sounds quite similar to the original Gemini, which is a good thing, as I know a lot of users really like the Gemini sound. SE Electronics Gemini II & Z5600a II Gemini: The Return. Add to Cart. The basket assembly rings slightly if you 'ping' it with your finger, but that doesn't seem to come across in the sound and it doesn't produce the low-end grumble, when handled, that the Gemini does. Microphone Specifications The Z5600a II: a thick, rich tube mic that will flatter any source. Tonally, this mic has much in common with its earlier incarnation, producing a full and generally smooth vocal sound with a bit of lower-mid 'chest frequency' support that may help those with thinner-sounding voices. PreSonus StudioLive 32SC Series III Mixing Console. Tech Talk. Microphone Specifications The Z5600a II from sE Electronics is a large-diaphragm tube microphone that gives you a uniquely modern sound with a classic tube vibe. However, the capsule has a broad presence peak rising towards 10kHz, so this isn't a dull-sounding tube mic. learn more. Housed in a similarly chunky 80mm x 230mm body, the Gemini II again features dual tubes, this time a 12AX7 for the input stage and a further 12AU7 in the output stage; the latter takes over the role of the more usual transformer. Like its predecessor, the Gemini II boasts twin valves, one for the input stage and one for the output stage, which can clearly be seen through the mic's case. The views expressed are those of the contributors and not necessarily those of the publishers. The diaphragm is gold-sputtered, 1.08'. With nine polar patterns, the Z5600a II is ready to record absolutely anything.. In general, the physical construction of the basket and housing (and the shockmount, in this case) is similar to that employed in the Gemini II and other recent SE models, and comes across as very solid and sensibly engineered. If you were thinking of buying a Gemini II as a main vocal mic for your own use, you'd need to make sure it suited the character of your voice, as you would with any microphone, but for anyone who already has one or two conventional solid-state and tube microphones the Gemini provides a distinctive tonal alternative and thus would be worth adding to a collection. It does, however, have a classy sound, especially on vocals, and because it doesn't stray too far from the expected tube mic tonality it may work with a wider range of voice types. That's just what the Gemini aimed to do, and SE have now updated the concept with a new version, which I'm looking at here alongside another SE tube-mic update, the Z5600a II (first reviewed in SOS in May 2003; www.soundonsound.com/sos/May03/articles/sez5600.asp). SE Electronics Z5600a II Multi-Pattern Tube Condenser Microphone. The Z5600a II kit includes shockmount, power supply, cable and separate wooden microphone box, all inside a larger carry-case. Product Specs. The Gemini II is predictably weighty, so it would benefit from a substantial stand to avoid toppling. It certainly offers good value, and even if you feel a cardioid-pattern mic is all you really need, those additional patterns may well come in useful from time to time. SE have updated their Gemini and multi-pattern Z5600a mics with extra facilities and better technical specs. In figure-of-eight mode, the sound is closer to what you'd expect from the cardioid pattern than the omni. $585 + $30 Shipping. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The Z5600a II is packaged in a similar way to the Gemini II, complete with new-style PSU, locking eight-pin cable and shockmount. Gemini II £899 ; Z5600a II £449. Unlike the Geminis, however, the Z5600a II is a multi-pattern microphone offering nine pattern variations, going from omni, via cardioid, to figure-of-eight. Sometimes this is exactly what you want, but at other times it would be nice to retain a bit of 'air'. If you're looking for one stellar studio microphone that can … Good. The vast majority of tube mics have transformer-coupled outputs, due to the need to match the high impedance of the tube circuitry to the lower impedance associated with microphone signals, but that design can soften the high end to a noticeable extent. Because the presence peak is right up at 10kHz there's no tendency to over-emphasise the harsher upper-mid range, though singers wanting a slightly more rounded top end may want to try using the mic slightly off-axis to soften the tone. The twin tubes are fitted in porcelain bases, while the rest of the circuitry is mounted on two double-sided, glass-fibre circuit boards. The Gemini II isn't a budget microphone — indeed, it costs more than some of the big-name European models, which may give you a hint as to the direction SE are taking for the future. 30-day modular deep dive/writing challenge, The All-New Behringer Keyboards 'n' Stuff Thread. Mastering Essentials Part 3 - How loud should I master? The mount also comes with a thread adaptor, so will fit both European-thread and US-thread mic stands. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. Is there a 'right way up' to mount a mic? The diaphragm is gold-sputtered, 1.08'. 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