| Soloists often accentuate the b7 note in bar 4, to enhance this effect. Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. Sometimes a note may be changed to make the riff fit the supporting chord. A similar device is to add tensions such as #5, b9, or #9 to the I7 chord in bar 4. 1300+ Jazz Standards with hand-made harmonic analysis by well-versed jazz musicians. The 12-measure blues form can be played with a great many harmonic variations. See more ideas about Jazz standard, Jazz, Jazz sheet music. Louis Bluesâ (1914), to big band arrangements of the 1920s and 1930s, to bebop blues in the 1940s, to Miles Davis, John Coltrane, and Ornette Colemanâs modal and âfree jazzâ work in the 1950s and 1960s. | Read More Although this may cause momentary harmonic conflicts, it doesnât really bother the listener. Articles 1 Hour Relaxing Female Blues & Jazz | Don's Tunes - YouTube History About, Jazzology: The Encyclopedia of Jazz Theory for All Musicians, The Jazz Language: A Theory Text for Jazz Composition and Improvisation, Jazz Theory and Practice (Book & CD-ROM (Macintosh)), Contemporary Music Theory - Level One: A Complete Harmony and Theory Method for the Pop and Jazz Musician, An Analysis of Charlie Parkerâs âBillieâs Bounceâ Solo, Blues in the Night (12-bar blues A section, with a non-blues bridge), It Donât Mean a Thing (If It Ainât Got That Swing), Click on any product to view at Amazon.com. Blues-implying chords, harmonizing b3, b5, or b7 in the melody, include IV7, bVI7, and bVII7 (these are all dominant chords). This scale has proved to have a lot of practical utility in soloing, although it doesnât explain or incorporate all the traditional blues licks, by any means. All Rights Reserved You can find a brief discussion of Charlie Parkerâs approach to blues, and his favorite chord substitutions, in this article: An Analysis of Charlie Parkerâs âBillieâs Bounceâ Solo. Examples of âriff bluesâ include Count Basieâs âOne OâClock Jump,â Woody Hermanâs âWoodchopperâs Ball,â and Charlie Parkerâs âCool Blues.â. Backing tracks made with live musicians playing real instruments - jazz standards, modern jazz, smooth jazz, swing, bossa novas, R&B, Soul, and blues. [1] Blues standards come from different eras and styles, such as ragtime-vaudeville, Delta and country blues, and urban styles from Chicago and the West Coast. | In a traditional 12-bar blues, lyrics (and melody) will often be in the form of a 4-bar phrase, repeated, with the final 4 bars a concluding statement. Some âGreat American Songbookâ composers were particularly adept at writing blues elements into their songs (Harold Arlen, George Gershwin, Duke Ellington). Overview These are just 15 of the many popular jazz and blues songs for female vocalists. This thread is for anyone interested in singers who are from the worlds of jazz, cabaret & standards and who first recorded (or came into their own) at any time between 1970 and the present day.As long as they fit into both of these parameters, all singers (male, female, transgender) qualify for mention or discussion. Blue Bossa a jazz bossa nova by Kenny Dorham. JazzStandards.com - All Rights Reserved Later jazz-oriented blues tunes often have through-composed melodies, although traces of this early format can be heard in pieces like Charlie Parkerâs âNowâs the Time,â or Sonny Rollinsâ âTenor Madness.â, One related variety of blues, âriff blues,â became quite popular during the big-band years. This improvisational reharmonization can happen in the performance of non-blues tunes as well. Many jazz standards are blues-inflected, without using the 12-bar harmonic structure. All Blues Easy G Blues in 6/4 (can be felt in 3/4 also) by Miles Davis from his classic album “Kind of Blue.” Autumn Leaves A classic that transitions between the relative major and minor. Like with all jazz songs, it’s all a matter of what you choose to do with the tempo and the words. Building Up Your Jazz Standard Vocal Skills. The use of dominant-structure chords for the I (tonic) and IV (subdominant) chords has some interesting ramifications: Blues is sometimes written in minor keys (John Coltraneâs âEquinox,â Oliver Nelsonâs âStolen Momentsâ). This consists of a 2-bar or 4-bar melodic pattern repeated over the 12-bar form, with the chords changing under it. Copyright 2005-2020 - JazzStandards.com Many are also performed in styles that differ from the originals and reflect various music trends, including rhythm and blues and rock. For an example of a 32-bar AABA tune with extensive blues usage, see Matt Dennisâ âAngel Eyes.â. 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