Yes, we have done gallery showings in Madrid and in the Jewish Museum in Berlin and in the Pierre Cardin space in Paris. One of the most renowned jazz photographers of all time, Francis Wolff (1907-1971) was also a record company executive and producer, whose skills were essential to the success of the Blue Note record label. MC. We regularly publish original interviews, poetry, literature, and art, and encourage our readers to share their own perspectives. He therefore photographed an important part of the history of jazz and its legends.In 1951, with the advent of the LP, and the imminent importance of record covers, the photographs taken by Francis Wolff became primordial for Blue Note. The photographer could have been Francis Wolff, who would have been on site at Blue Note headquarters (when not at Hackensack taking portraits), or someone else, unknown. I've suggested these would both be excellent selections for the Tone Poet series. We are just making it part of our mission to get this stuff out there now. Is this a political statement? As someone who is online a lot and loves viewing classic jazz photography, at some point I figured I had seen just about every photo available, so to learn that there are another 3,500 Francis Wolff shots to enjoy is great news. We also did a very large show in Kyoto a couple of years ago. JJM. George Benson at Lou Donaldson’s “Alligator Bogaloo” session, Van Gelder Studio, Englewood Cliffs, NJ, April 7, 1967. So, that’s what we did. He also preserved the creative essence of each of these sessions by capturing candid scenes of the musicians huddling and working through the music that would soon become classic masterpieces. The Jazz Photography of Francis Wolff Documentary At Blue Note recording sessions in the '50s and '60s, Francis Wolff was building an archive of great photographic value and a visual documentation of jazz history unmatched at any other record company. Business manager of Blue Note Records for thirty years, Wolff was also the company's session photographer. Wolff had obviously done some preparation as the lighting was ideal. Wayne Shorter’s “Etcetera” session, Van Gelder Studio, Englewood Cliffs, NJ, June 14, 1965. Art Blakey’s “A Night In Tunisia” session, Van Gelder Studio, Englewood Cliffs, NJ, August 7, 1960. Mosaic Images offers Editorial Licenses based on Size, Circulation, Term & Territory. Even if you haven't heard the name Francis Wolff before you have probably seen many of his photos already. Milt Hinton, who was an extraordinary photographer, was probably the only one who brought a camera to the sessions – there is a wonderful photo of Francis Wolff shooting Milt holding his camera. That question, too, is unanswerable. I have a small book that showes all images in their original square (6x6) format. Same reason. Elvin Jones with Reggie Workman (right) at Wayne Shorter’s “Ju Ju” session, Van Gelder Studio, Englewood Cliffs, NJ, August 3, 1964. Wolff’s work in particular is amazing due to the fact this his portraits were not posed. Tony Bennett said of the marvellous album covers of […] To visit the Mosaic Images website to view more photographs and get more complete information about them, click here, Your email address will not be published. A smart and kind man. Now that his website showcasing these important and brilliant photos is up and running, I am able to publish this portion of the interview. So, I got Alfred and his wife Ruth to help me find some of the photos for Nichols and a few others. My interest in jazz music has led to my interest in the work of Francis Wolff, John Abbott, and William Claxton. When he went to Paris while Dexter Gordon recorded for Blue Note there, he probably didn’t take a handful of photographs and put the camera away – he must have taken a lot of shots…. With this book of Francis Wolff photographs, those waves of sound are all but detectable to the naked eye, the seeing soul. Mar 28, 2019 - Reid Miles was a genius. His method of lighting his subjects was truly unique. Some of them also became classics on their own. We have created an offshoot of the Mosaic Records website (www.mosaicrecordsimages.com) that you can now visit and see in the neighborhood of 3,500 photographs, which will be available for licensing and prints. Your email address will not be published. Nov 29, 2020 - Explore Charlie Chip's board "Fantasy world" on Pinterest. Founders Alfred Lion and Francis Wolff also knew that the look of a record could be as compelling as the sound. So, yes, in a way it is similar to the mission of Mosaic Records. Saxophonist Carla Marciano's take on the film scores of Bernard Herrmann is impressive...Check out the 'Theme From Taxi Driver'. (Update: photo source for the building (right) from NYC municipal archives here. *Additional custom licenses and commercial packages available upon request*, DISCOVER IMAGES - Look through the collection of images below and find your favorite image to license, COLLECT PHOTO CODES - Gather image codes (SKU) from image title and contact us via email or phone call, CONTACT FOR PRICING - Give image code to our representatives who will give you a pricing chart & instructions on how to obtain your licensed image(s). In a way this mirrors what you have done with the music, unearthing and releasing great recordings, and now you are on to doing the same with the photographs…. L to R: Art Blakey, a visiting Clifford Brown, Miles Davis and Horace Silver at the “Miles Davis Quartet” session, Van Gelder Studio, Hackensack, NJ, March 6, 1954. Look at these designs and enjoy their exuberant sense of play and sheer graphic brilliance. After World War II many German Jews never wanted to go to Europe – and certainly many were unwilling to set foot on German soil again, and Alfred was one of them. Don Cherry with Pharoah Sanders (right) at Cherry’s “Where Is Brooklyn” session, Van Gelder Studio, Englewood Cliffs, NJ, November 11, 1966. 3, “Birds of Fire at Woods—Brown Amphitheater” — a poem by D.H. Jenkins, Paul Desmond: A Life Told in Pictures, Music and Memories, Jazz: Through the Life and Lens of Milt Hinton, The Negro League Baseball Photographs of Charles “Teenie” Harris. These photographs have always been a sideline – almost more like a hobby – although we have shown some in exhibitions, and we have also printed select fine art silver gel images and sold them on our website and in galleries. MC. Except for Columbia Records – who had photographers like Don Hunstein shooting sessions on a regular basis – there is really no other important record company that has a photographic document of virtually its entire history, from its beginnings to when the founders retired. There can be little doubt the stockroom pictured, in August 1957, was at 47 West 63rd Street. Required fields are marked *. He always brought his camera with him, but because he was producing the albums in an unfamiliar setting, he had to apply all his attention to getting the sound and the music down right on the sessions. A key element of many of Miles’ designs was label co-founder Francis Wolff’s photography. He did however take his camera to each recording session for 28 years. I haven’t seen what Milt shot – it would have been at Ike Quebec’s “Heavy Soul” session. Fortunately, he was not as completely camera-shy as Otis "Candy" Finch. Do you anticipate doing any more gallery showings? Lee Morgan with Andrew Hill (center) and Hank Mobley (right) at Hank Mobley’s “No Room For Squares” session, Van Gelder Studio, Englewood Cliffs, NJ, October 2, 1963. During 1967, he shot a number of sessions in both black and white and color formats. Blue Note Records: Beyond the Notes (2018) cast and crew credits, including actors, actresses, directors, writers and more. Browse 184 francis wolff stock photos and images available, or start a new search to explore more stock photos and images. When we spoke recently about what you want to do with the rest of your life, this photo archive will certainly keep you busy! While both were omnipresent in the studio during seminal recordings, it was Wolff who brought his camera, snapping photos of the artists as they performed or kicked back between takes. A selection of the photographs — published with the generous consent of Mr. Cuscuna — are found at the conclusion of the following interview. Francis Wolff was one of the greatest jazz photographers of all time. Like Wolff, Katz can catch the right moment, frame it, light it and shoot it in a fraction of a second. I am thinking that our next book may be to feature fifty or sixty great Blue Note sessions, which would include a short essay about the album, the cover art, and then publish an array of photographs of the various people interacting and the amazing portraits that Francis Wolff did at each of these sessions, making each of them come alive. Born Jakob Franz Wolff in Berlin, Germany, he soon became a jazz enthusiast, despite the government ban placed on this type of music after 1933. A sampling of the images (all © Mosaic Images) are published with the consent of Michael Cuscuna. Listen to both songs on WhoSampled, the ultimate database of sampled music, cover songs and remixes.
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