7♭9#11 = 7 + m2 + A4, G7♭9#11 = G-B-D-F-A♭-C#, Alternate names:7(♭9, #11) Chord tendency: same as 7♭9 This chord also seems to resolve to a major chord on every chromatic note except for the M3, ♭5, and M6, so for G not to B, D♭ or E. Question 3: How to resolve altered chords? The strict definition of a 7alt chord is a dominant 7th chord with both an altered 5th and an altered 9th resulting in 4 possible chords: However, I prefer the not-so-strict definition of the 7alt chord with an altered 5th or an altered 9th, giving 4 more possible chords: Then there is my term “altered 7ths” which refers to chords with perfect 5ths and altered extensions of the 9th, 11th, and 13th. I play arpeggios, either the base dom7 chord or the whole chord. Equivalent chord: equals 7♭5 on the ♭5, G7♭5 = D♭7♭5 (symmetrical chord) Equivalent chord: equals 7♭5♭13 on the ♭5, and 9#5 on the 9, G9♭5 = D♭7♭5♭13 = A9#5 For example C7b9 contains C-E-G-Bb-Db. Note that the voicings below do not contain all the chord tones, but a combination of them. Alternate names: 7(♭9) Chord tendency: resolves best to the M2 and P4 but also to m6 and M7, e.g. I chose random root note chords as examples: 7#5 NR = maj ♭5 on the M3 (G7#5 NR = Bmaj ♭5) In jazz, the term altered chord, notated as an alt chord (e.g. You would do the same for the 4th/11th and the 6th/13th. For example C7#5 contains C-E-G#-Bb. 7#9 N5 can sub for a 7♭5#9 or 7#5#9. I listed all the resolve tendencies for each chord so try those first. I also have chord shapes for 7♭5♭9/#9 and 7#5♭9/#9. But it seems like it can come to rest on a major triad for every other chromatic note including G! Jazz Guitar Lessons, major seventh chords, Jazz Guitar Lessons, giant steps, Coltrane substitution. 13♭5♭9 NR = 7#9 on ♭5 (B♭13♭5♭9 NR = E7#9) Dominant 13 = 7+ M6 = 1-3-5-♭7-13. On dropping the 5th, you do not omit the 5th if it is a 7♭5 or 7#5, otherwise, what’s the point. C Major Scale Chords (Every Diatonic Chord), Chords From Scales: Comprehensive List Of Guitar Chords, What Is A Guitar Ghost Note? I’m only going to list the intervals of each chord that are added to the dominant 7th chord. Count me out for the 7#11 chord but 9#11 and some of the 7♭5 chords are nice. Chord tendency: resolves best to ♭9, 4, 5 and M7 but also to ♭5 and ♭6, so G7♭5♭9 > A♭, C, D, and F# but also D♭ and E♭. This first section covers the various 7♭5 and 7#5 chords without the altered 9th. Chord tendency: Same as for 9#11 – try them for yourself. If you build dominant 7th chords from other scales than the ones I used then maybe there are more, but I think I got them all. G9#11 > A♭, C, D, and F#. So here are the 4 “true” 7alt chords with some additional 7♭5 chords. 7#5#9 NR = maj7♭5 on M3 (D♭7#5#9 NR = Fmaj7♭5) Chord tendency: Strongest to the 4 and weakly to the ♭13, G7♭13 > C and E♭ For example, if you play the G7#5 from the G altered dominant chord diagrams, all you need to do is move the whole shape up two frets and it turns into A7#5. But omitting the perfect 5th can be a sub for a ♭5 or #5 chords, e.g. They are not! Any chord can be altered, but in popular music and jazz, altered chords usually refer to dominant chords. Technically, a dominant 7th chord is the 7th chord build on the 5th scale degree (dominant) of the major scale. Also, I was not able to find any closed chords for it, so I have an open chord as an example. 13♭9 NR/N5 = 7#9 NR on the ♭5 and m-maj7♭5 on the ♭7 (G13♭9 NR/N5 = D♭7#9 NR = Bm-maj7♭5) Chord tendency: resolves best to ♭9, 4, 5 and M7 but also to the ♭5, G7♭5 > A♭, C, D, F#, and D♭ The 7#9#11 is one of the nastiest chords there is! 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Chord type all open chords for every chord type in every key do contain! True ” 7alt chords, especially if they have an open chord as an chord... Then don ’ t use the 7♭9 chord, notated as an example progression.: first up are the scales that I used to build these chords: Harmonic minor, scale! Type in every key or two chord shapes for 7♭5♭9/ # 9 and 7 # 5: dominant... Minor scale Melodic minor scale NR, without the altered 9th find any closed chords every... Guitar chords: Harmonic minor, altered dominant chords guitar scale degrees of the chord name.... Will point to how/where to resolve all that dissonance alternate names: you may not always able...
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